Smoosh

Music is nothing if it’s not conceived for the joy of it. “My favorite thing is how when I play out places, it makes me feel all happy. I like to watch my friends watching me,” confesses Chloe, 1/2 of Seattle’s Smoosh. The preternaturally gifted duo spearheads a growing movement of young female independent bands with an ingenuous, instinctual wisdom that comes as naturally as their multifaceted, genre-tickling songwriting. Chloe’s older sister Asya, Smoosh’s vocalist and pianist/keyboardist, wails and croons like an old soul with her tiny, tremulous voice. The fearless confidence that often accompanies youth (Asya is twelve, Chloe is ten) runs through Smoosh’s pop-based quirk rock with strength and beauty, and people are listening in awe.

Smoosh was born of natural curiosity. While the family stood in line at Seattle’s Trading Musician store to pay for what they had intended to purchase—a violin—Asya and Chloe wandered upstairs to the percussion room. There, they met Jason McGerr (Death Cab For Cutie), teacher at the renowned Seattle Drum School where Chloe now studies, and left with a $600 drum kit, Jason’s card, and no violin. Asya, having taken several piano lessons that she then aborted because “They made you just play the same thing, and I wanted to make stuff up,” joined in. A small, family-run website was launched that advertised free copies of home recordings. Soon, the duo played at Oregon’s booming, highly influential Rock and Roll Camp for Girls. All-ages shows gave way to glowing and awestruck reviews by Seattle Weekly and The Stranger ("Smoosh is awesome”) followed by multiple performances on renowned radio program KEXP Live. Smoosh found themselves opening shows for Death Cab for Cutie, Sleater-Kinney and The Presidents of the United States of America. And at 2004’s Sasquatch! Music Festival, Cat Power paid tribute to the band by lip synching their rap song, “Rad”, which is shockingly Dismemberment Plan.

All this attention has little to do with the fact that these ladies’ youth is impressive and abnormal- -anyone who investigates Smoosh out of a curiosity for novelty is quickly put in their place. The band’s visibility will continue to increase as it matures along with the public’s conception of what age bracket and gender is conducive to making music. By escaping the dominant paradigm here, Smoosh is the punkest. The band’s first studio-recorded album for Pattern 25 Records, She Like Electric, brims with intensely diverse and magically cohesive pop songs that amaze as they engage. The rich range of the sisters’ emotional spectrum factor as strongly into the flavor as vanilla extract: pure, simple and true. From the joyful and contemplative (“To Walk Away From”) to the silly and giggly, (“The Quack”) to the angry and bittersweet (“But Now I Know”), urgency prevails.

Smoosh is, above all, not afraid to make exactly the type of beautiful, varied music they want to. You know why? Because they’re feelin’ it.

And so will you.